![]() ![]() Last summer, Guardians of the Galaxy showed that Marvel could play it a bit more fast and loose than it generally does, but the big-name franchises still seem sacrosanct.Īnd so it is with Avengers: Age of Ultron, which at moments takes a peek down some shadowy side roads but ends up mostly zooming along the main highway to deliver what the audience wants rather than something even a little bit different. In the meantime, the key points of interest surround how many surprises and twists can be wrung from a format that, due to core-fan expectations, demands great fealty any significant deviations from the source material are taken as personal betrayals by the hardest-core geeks. Not that any of this will matter much, since the pent-up excitement among the enormous international fan base is so intense that nothing will keep the summer’s presumed biggest franchise blockbuster from soaring beyond the $1 billion threshold internationally. ![]() To be sure, series junkies will get their fix from the sheer massiveness of the exploits, but at least two of the big action scenes are lackluster, while the climax and resolution could have been worked out in more complex, less rote ways, so as to further increase intrigue and anticipation for Avengers: Infinity War parts one and two, already scheduled for release in May of 20, respectively. Faced with the daunting prospect of topping the surprise and excitement of 2012’s The Avengers, the third-highest-grossing film of all time, writer-director Joss Whedon mixes some brooding down time in with the abundant spectacle. The powers of Marvel’s all-star superheroes go a bit wobbly in Avengers: Age of Ultron.
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